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more than in the book, the film decides the ugliness of Jim Crow and fixed on the goodness of her white protagonist
"How do you try to feel like a good country if you have moved things as a whole nation?"
This question came from Comedian Louis C.K. At the end of a recent episode of his SITCOM Louie . He would consider how to explain his daughters to the many uses of "Nigger" in Mark Twains Tom Sawyer . However, he could have asked the same question when I think of the help of the helps , Kathryn Stockett, the wild popular novel about black domestic workers and the women they employed in 1960s Mississippi, in the In the 1960s, the film fitting, which were employed today in the theaters, has used in the theaters.
Stock-Roman of the Stocket presented a vision of segregation in the service of a feeling good history, but the film version of the help is farther away from the virulence of American racism. His villains, Junior League Bigots, who carry intelligent little suits to cover their scales, are so cartoon that the viewers do not risk, recognize themselves or echoes of their behavior in them. The heroines - a privileged, liberal, white Mississippi woman named Skeeter Phelan (Emma Stone) and two black domestic workers, Aibileen Clark (Viola Davis) and Minny Jackson (a particularly good Octavia Spencer) - is much easier to identify. The project she brings together is a secret oral history of girls in Jackson, can protect the domestic side of racism. But except for a mention of unrelated minimum wage laws and a scene of the after effects of the Medgarer Evers' murder, the film is disregarded with the public legal framework, the white women treat their white servants who treat their white serving services in private staff. In the help , whether you are black or white, the liberation is only a matter of improving your self-esteem.
the first publication, the help became criticized writers like the New York Times' Janet Maslin, though also with UPGAT reviews and a Rental commercial reception ( It has sold more than five million copies). The black figures in the novel speak in pretty heavy, sentimental dialect. The local civil rights movement comes from a naive white girl, no organized, black-led movement.Worse, earlier this year, called Ablee Cooper, who works for more than a decade-sued-felt for Kathrele floor and claimed that she had lifted the life story of Cooper in a way that skates for her. Whether the complaint has earned or not, it resonates with critics of the novel, the the help as another acquisition of black struggles, the laurels are absorbed on a white character.
The problem is not that white people were not involved in the civil rights movement. Stanley Nelson's wonderful documentation Freedom driver follows the two black drivers who started the historic anti-segregation trip and the white drivers, and the white drivers who have joined them - and who got worse at some stops As their colleagues, because they were adopted racing .janie Forsyth McKinney, who was just 12 at that time, gave the Freedom drivers of water and medical care after the men of their community attack the Greyhound bus of the activist outside the convenience store of their father's convenience. Stories like their should actually be told.
The help is not the worst perpetrator in this class of well-meant, but maybe inevitable faulty films. While Skeeter is working on the oral history project, Aibileen and Minny will be his actual authors. In the novel, though unfortunately not in the film, Skeeter is clean for their publisher about the role that Aibileen played their household columns, and gets Aibileen as their replacement and quietly brought another racial barrier. While the novel, while the Roman Minny's decision deals with their abusive husband Leroy as a complex and directly related to financial security, has only at the end of the book, the film frames that decide to decide as a simple act of self-determination. And I participated in screening, the audience actually laughed when Leroy (which has never been seen on the screen) started to throw things in Minny as a precursor to beat them (maybe because the Octavia Spencer is such a strong comedic Actress is).
In fact, the film, which necessarily sacrifices some character development in the name of the room and speed, also lowers strikingly powerful illustrations of racist violence. While we get soft flashbacks to the memories of Skeeter memories of Constantine, there is the black woman she has raised, no such back rates at the violent, unnecessary death of Aibile's son. In another scene, Yule May, one of the friends of Minny and Aibileen, arrested because he stole a ring from her employer. The shot shows white police man hand and grabs her, but if she swings with a baton on her head, the impact of the weapon is cut out of the frame against her skull. An incident of racial violence, which illustrates the cost of the main billy pursuit of separate baths for African American servants, remains completely out of the film. Even a mainly gory missing scene from the book is reduced to a built-soaked nightgown and an artfully smoother bathroom floor is visible only for a moment.
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